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Oliviero said that New London uses CSOFT, a multilingual translation software, as well as the features on Microsoft Teams. Goss also said that one of their teachers had been recording lessons in Screencastify videos, which can be particularly helpful for English learners who can go back and re listen to the lesson multiple times. Even on the in person days, learning a second language in a pandemic presents some challenges. Its hard to teach pronunciation when your face is covered by a mask, said Vasquez McCoy. Oliviero said that New London is starting out the year focusing on social/emotional learning rather than academics, in order to help students cope with the stress of recent months. However, she said there have been some concerns about students falling behind.

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Part II Act of May 12, 1889 A General Act of Assembly for the Government of Cities of the Third Class. Part III General Acts of Assembly of Pennsylvania for Cities of the Third Class. Part IV Act of June 27, 1913 For the Regulation and Government of Cities of the Third Class by Superintendents of Departments. Part V Ordinances and Regulations of the City of Meadville, Pennsylvania up to January 1, 1916. It also has a street index. Part VI Sanitary Rules of the Board of Health up to March 14, 1916. Published by the Authority of the Mayor and Council of the City of Meadville. Penna, 1916 by The Tribune Publishing Company, 560 pages. Commonwealth The Magazine for Pennsylvania Vol. 1 No. 5 The cover says April 1947, but the title page says March 1947.

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Using synthetic lifetime earnings calculations, this article underscores the fact that men still earn considerably more than women at all levels of education. We also see that, while women seem more likely to complete degrees in fields that are associated with relatively low lifetime earnings such as education, men still receive substantially higher incomes than women with similar educational backgrounds. To meet the challenge of calculating lifetime earnings, this study follows a similar synthetic estimation strategy used by the Census Bureau2 but with one important differencefuture earnings are discounted at a rate of 3 percent per year to reflect the time value of money. More details are available in the methodology section at the end of this report. Overall, bachelor's, master's, professional and doctoral degrees allow graduates the opportunity to greatly enhance their wage earning potential beyond what they might have earned with merely an associate's degree or lessespecially in the long run. Figure 1 provides a rough illustration of the differences in the cumulative lifetime earnings for full time year round workers with different terminal degree levels, assuming a 40 year career from age 25 through 64. We see that associate's degree graduates can expect to earn a total of $361,000 or about 22 percent more than high school graduates between the ages of 25 and 34. Three decades later, we expect that associate's degree graduates would now have earned a total of $1. 1 million, compared to $910,000 for high school graduatesstill roughly a 22 percent increment. However, when comparing graduates with a bachelor's degree or higher to associate's degree graduates, we see a 45 percent advantage in cumulative earnings by age 35$524,000 compared to $361,000and this gap in earnings widens considerably more over the life course. By retirement, graduates with bachelor's and advanced degrees can expect to have earned an average total of $1.

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My claim to fame from thosedays is that I was the PA on the first ever edition of Top of the Pops. We brought the Rolling Stones live to the nation,from a converted church in Manchester with camera one going up and down thenave. Perhaps weshould explain what a PA does in television. Of course theres all the usualadministrative work such as making sure all the artists are contracted, bookingthe studios, making the travel arrangements, typing the camera scripts,ordering slides and captions, checking all the names on the closing roller, butmost important of all is the studio work. The PA sitsnext to the Director in the gallery, looking at anything up to a dozentelevision screens one for each camera, others for film, video and so on, andthe most important of all which is studio output or what the viewer sees. And whilethe Director is watching the overall picture, its the PA who calls the shots telling the camera men and floor manager what the viewer is seeing on thescreen and lining up the next picture. All the cameras have numbers so youaddress the cameramen by their numbers. camera one, two etc. That soundspretty simple but what you have to remember is that while the PA is calling theshots on a live programme all hell is breaking loose!Id gotpretty used to this by the time I came to work on a programme which is verymuch a part of television history JukeBox Jury. Do youremember that, with David Jacobs and Hello there. Tell us panel is it a Hitor a Miss? I was the PA on that for quite a while at a time when the serieswas used as a training ground for new young Directors.